“For once the hype is justified and Inga Vesper’s gripping page turner must surely now be bound for Netflix.”
It’s the summer of 1959, and the well-trimmed lawns of Sunnylakes wilt under the California sun.
At some point during the long, long afternoon Joyce Haney, a seemingly happy housewife and mother, vanishes from her home, leaving behind only two terrified young children and a bloodstain on the kitchen floor.
With the stifling heat of Tangerine and the gripping pace of Little Deaths, The Long, Long Afternoon is at once a page-turning mystery and an intoxicating vision of the ways in which women everywhere are diminished, silenced and, ultimately, underestimated.
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