In September, I was lucky to be featured in the incredible Writing Magazine, a resource I subscribed to for years. See the article here.
We can look at things a little differently, we can open the shutters, let daylight in and ask the secretive dame what she really thinks. Her answers, dear reader, may surprise you.Writing Magazine, 3 September 2021
Writing Magazine is a great read for everyone who is into creative writing – be it novels, poetry or short fiction. They even have interesting sections on memoirs and non-fiction. I highly recommend it.
My article looked at women in the Noir genre, and how some of Noir’s tropes are changing in the 21st century. I’m not sure I’ve actually “reinvented” Noir, but I do like to think that I’ve given it a bit of a kick up the a**e in The Long, Long Afternoon.
The Long, Long Afternoon is a very noir book, even though it is set in sunny California and features starched curtains and prim aprons instead of neon-lit blinds and chain-smoking low-lives (although there is some smoking, and a couple of shady characters, too. Noir is not necessarily about a time and place, it is about atmosphere. Noir creates a sense of unease, a feeling of being rejected by one’s peers. It is for mavericks, for people who cross social and cultural boundaries.
I wish there was more Noir in fiction, especially in historical fiction. Noir allows us authors to introduce a modern perspective to historical events or settings. It’s a modern genre, but it applies to all ages – after all, there have always been people who felt uneasy about the way things were going, and became mavericks of their time.